May 2026
The Olive Branch

By Kenneth Lonergan

This is Our Youth follows 48 hours in the lives of three very lost young souls in the big city in meticulous, hilarious, and agonizing detail, at the dawn of the Reagan era. The trio includes Warren Straub, a dejected 19-year-old who steals $15,000 from his abusive lingerie-tycoon father; Dennis Ziegler, the charismatic domineering drug-dealing friend who helps him put the money to good use; and Jessica Goldman, the anxiously insightful young woman Warren yearns for.

Directed by Jeremy D. Thompson

A co-production with Dig Deep Theatre

January 2026
The MAIN

Book and Lyrics by Tom Jones
Music by Harvey Schmidt

The all-time classic musical that ran for 42 years off-Broadway comes to The MAIN. Boy meets girl. Parents fake a feud to get them together. It works (until it doesn’t), in a moonlit tale of growing up, falling in love, and learning what that really means. The Fantasticks is a lyrical, timeless celebration of imagination, heartbreak, and hope that skewers romantic tropes with charm, wit, and a cardboard moon; reminding us that real love is rarely as poetic as the song—and twice as complicated.

Directed by Jeremy D. Thompson
Musical Direction by Robby Good

August 2025
The MAIN

By Aaron Posner
Original Songs by James Sugg
Sort of Based on “The Seagull” by Anton Chekhov

An explosive, darkly hilarious dive into art, ambition, and heartbreak—Stupid F**king Bird pulls no punches and breaks all the rules.

An aspiring playwright. A hungry young actress. A revered writer. An aging star. In Stupid F**king Bird, Aaron Posner’s darkly comic, sharp-edged adaptation “sort of based on Chekhov’s The Seagull,” the euphoria and agony of making art and chasing desire explode—sometimes literally—onstage.

Directed by Jeremy D. Thompson

Part of the Santa Clarita Shakespeare Festival

June 2025
Hobgoblin Playhouse

By Tennessee Williams

Step into the soft, aching world of Talk to Me Like the Rain and Let Me Listen, a hidden gem from the legendary Tennessee Williams. Written during a period of profound personal and artistic transition for Williams, this one-act piece captures the aching loneliness and quiet yearning that define much of his best-known writing. Unlike his larger, more famous plays like A Streetcar Named Desire and The Glass Menagerie, this work strips away narrative to reveal the raw, unspoken currents between two souls.

Directed by Jeremy D. Thompson

Part of the 2025 Hollywood Fringe Festival

July 2024
The MAIN

By Eugène Ionesco

Directed by Jeremy D. Thompson

Produced by Santa Clarita Shakespeare